Wednesday, May 6, 2020

The Marxist Theory Of Marxist Criticism - 757 Words

The Marxist theory research What is the marxist criticism? Marxists believe that all of human history has been divided by socioeconomic classes. They believe that the progression of history so far has been pushed forward by these class struggles. From these struggles they say that capitalism was born, but eventually the struggles will reach a breaking point where the lower and middle classes turn on the wealthy, leading to the implementation of socialism. Looks at any struggles between different classes in the text. Interprets the relationship between classes. The text is viewed as a social institution, and then dominant class struggles are brought to life through the themes of the text. The author can put these class struggles into the†¦show more content†¦Key terms: Class struggle: Conflicts between employers and employees over rights, wages and working conditions. Capital: Something that turns a profit (i.e. railroads, factories) Ideology: System of ideas and ideals that form the basis of economic, social and political policy. Dialectic: A theory of history, that tells the story of the world as a continual resolution of contradictions. Laws of history: Marxists believe that human progression over history will eventually lead us to socialism where everyone is equal and owns very little. Socialism: A theory or system of social organization that advocates the vesting of the ownership and control of the means of production and distribution, of capital, land, etc., in the community as a whole. Communism: A theory or system of social organization based on the holding of all property in common, actual ownership being ascribed to the community as a whole or to the state. Bourgeois: Dominant class who control and own means of production. Proletariat: Subordinate class: do not own or control the means of production. Key Assumptions: Focuses on particular societal issues (culture, race, economical, power, etc.) Marxists theorists look at literature as a social institution. Look at ways the literature emerges from current ideologies and institutions. Can also look at author’s background and their societal standpoint. Politics andShow MoreRelatedHeart of Darkness Themes Essay1654 Words   |  7 PagesJacob Lachini Ms. Batten ENG 4U1-03 Monday, October 29th, 2012. Literary Criticisms in Relation to Heart of Darkness Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world -- in order to set up a shadow world of meanings,† Susan Sontag. It is a persons interpretation of any form of literary work that defines itself, what the author intends a reader to discover may be completelyRead MoreTheories Of Marxist Theory And Conflict Theory1066 Words   |  5 PagesMany theories have interrelated theories and derive from one another. Marxist theory has connection with labeling theory and conflict theory. Marxist theory and conflict theory explains law and criminal justice but does not oversee multi-groups conflict of society (Akers 2017). Marxist theory is a sociological model which is based on conflict of classes (Akers 2017). Marx viewed the industrial society or capitalist society from a macro point of view. Marxism is also a conflict theory, believing thatRead MoreThe Gift Of The Ma gi1022 Words   |  5 PagesIn discussing Marxist literary criticism Peter Barry states, â€Å"So instead of seeing authors as primarily autonomous ‘inspired’ individuals whose ‘genius’ and creative imagination enables them to bring forth original and time-less works of art, the Marxist sees them as constantly formed by their social contexts in ways which they themselves would usually not admit† (Barry 152). His claim is certainly evident through a careful analysis of O’Henry’s short story. The Gift of the Magi appears to be a bittersweetRead MoreSocialist Feminist Criticism1164 Words   |  5 PagesSocialist Feminist Criticism: You Dropped the Bomb on Me, Baby Feminism and gender studies have been described as having the ability to challenge literary and culture theory to confront the difficult task of assimilating the findings of an expanding sphere of inquiry (Contemporary Literary Criticism 567). 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